Feeds:
Posts
Comments

Posts Tagged ‘promoters’

Well hello. Yes, as always, it has been Some Time, and I’m not foolish enough to promise it won’t be Some Time again until I post the next one. I haven’t really been in a disclosing mood. My father passed away the week before Christmas, and the year in the run up to his death was full of trying to find resolution, trying to deal with hopes dashed time and again, and trying to fit in all the things I wanted to say to him before he left us.

As a result, it was a strange year from a musical perspective too. I had intended to blog much more frequently, get my Patreon set up, release “Hummingbird” (now to be an album, not an EP) and gig much more. Instead I spent a large part of it seeing the inside of the Blackburn Royal Infirmary and googling things like “what to do when your parent has cancer”. Now I am starting to climb back on the horse, only to find the horse is more like a mule, and I forgot how to ride this damn thing.

Still, better late than never. I have been quietly chipping away at things in the background and today, dear reader, I’d like to talk about something close to my heart – expectations and how best to ensure they are met.

Let me illustrate with a story.

Early last year, I played a 3 set gig at a venue in York. Unnamed for their protection, and please don’t name and shame in comments if you know where I mean. It was a roaring success. Lots of my fans came, the venue did a roaring bar trade, random strangers kept coming up to chat to me and compliment the songs, it was fab. The venue contacted the promotor who had set up the gig and they were happy to have me back. Now, my set list for this was pretty much made up of stuff I had written, interspersed with some gentle covers – all in all the sort of set that goes with a half pub/half restaurant people-are-trying-to-chill-here vibe.

33448 Casee Wilson Eagle & Child 17-08-04

I returned to the venue in August. This was a completely different night. The bar staff were downright hostile, the venue was much quieter (illness and poor weather had shut down much of York that night) and in the first break, the bar staff approached the sound engineer and asked her to ask me to play more covers. I did notice, and gratefully, that several people stopped to compliment me on this occasion too, so it seems the disappointment with the evening’s entertainment was limited to the bar staff.

Quick reminder. I was invited back based on the previous gig. I changed very little on the new set lists, only focusing a little more on upbeat material as I had slightly less time so I dropped a couple of my more introspective songs.

I have heard from the promoter that that venue does not want me back.

The thing that kills me is that if they had said “listen, we’re going for trying to attract a more boisterous crowd, can we have more covers” when they had BOOKED me, that’s exactly what they would have got. They said nothing, leaving me going on what I knew from previously.

Two sets of expectations were not met here: I expected that my own material, which I crafted heart and soul and which they seemed to enjoy the first time, to go down equally as well months later. That expectation was not met and my self confidence took a massive knock.

The venue expected a covers jukebox, which they did not get. I doubt this gave them any lasting trauma, but I can understand that they may have felt disappointed.

So this goes out as a plea to venues. Please be clear about what you want. Please be aware that even if you don’t get what you expected, the artist has worked hard, so hard, to bring you these songs, and a little respect is not that hard to provide. And please, never put the sound person in the position of having to tell the artist that the venue hates them. That’s just unprofessional.

I’d love to hear from any artists or venue who did not get what they expected. How did you resolve it and what would you do differently next time?

Advertisements

Read Full Post »